MakeMusic
SmartMusic Finale Garritan MusicXML

References

Bellini, Pierfrancesco and Paolo Nesi (2001). WEDELMUSIC Format: an XML Music Notation Format for Emerging Applications. In Proc. First International Conference on Web Delivering of Music (Florence, November 23-24), pp. 79-86.

Castan, Gerd, Michael Good, and Perry Roland (2001). Extensible Markup Language (XML) for Music Applications: An Introduction. In The Virtual Score: Representation, Retrieval, Restoration, ed. Walter B. Hewlett and Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 95-102.

Dumitrescu, Theodor (2001). Corpus Mensurablis Musice “Electronicum”: Toward a Flexible Electronic Representation of Music in Mensural Notation. In The Virtual Score: Representation, Retrieval, Restoration, ed. Walter B. Hewlett and Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 3-18. Also see http://www.cmme.org/.

Gilb, Tom (1988). Principles of Software Engineering Management. Reading, MA: Addison-Wesley.

Good, Michael (1988). Software Usability Engineering. Digital Technical Journal, No. 6, 125-133. Republished at http://michaelgood.info/publications/usability/software-usability-engineering/.

Good, Michael (2001). MusicXML: An Internet-Friendly Format for Sheet Music. In Proc. XML 2001 (Orlando, December 9-14), /publications/makemusic-recordare/xml-2001/.

Good, Michael (2006). MusicXML in Commercial Applications. In Music Analysis East and West, ed. Walter Hewlett and Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 9-20.

Gould, John D. and Clayton Lewis (1985). Designing for Usability: Key Principles and What Designers Think. Communications of the ACM, 28 (3), 300-311.

Grande, Cindy (1997). The Notation Interchange File Format: A Windows-Compliant Approach. In Beyond MIDI: The Handbook of Musical Codes, ed. Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 491-512.

Harold, Elliotte Rusty (2004). Effective XML. Boston: Addison-Wesley.

Hewlett, Walter B. (1997). MuseData: Multipurpose Representation. In Beyond MIDI: The Handbook of Musical Codes, ed. Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 402-447.

Huron, David (1997). Humdrum and Kern: Selective Feature Encoding. In Beyond MIDI: The Handbook of Musical Codes, ed. Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 375-401.

Huron, David (2006). Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, MA: MIT Press.

MIDI (1996). The Complete MIDI 1.0 Detailed Specification. Document version 96.1. Los Angeles: The MIDI Manufacturers Association. Also see http://www.midi.org.

Roland, Perry (2002). The Music Encoding Initiative (MEI). In Proc. First International Conference MAX 2002: Musical Application Using XML (Milan, September 19-20), pp. 50-55. Also see http://www.lib.virginia.edu/digital/resndev/mei/.

Selfridge-Field, Eleanor, ed. (1997). Beyond MIDI: The Handbook of Musical Codes. Cambridge, MA: MIT Press.

Sloan, Donald (1997). HyTime and Standard Music Description Language: A Document-Description Approach. In Beyond MIDI: The Handbook of Musical Codes, ed. Eleanor Selfridge-Field (Cambridge, MA: MIT Press), 469-490.

Steyn, Jacques (2002). Framework for a Music Markup Language. In Proc. First International Conference MAX 2002: Musical Application Using XML (Milan, September 19-20), pp. 22-29.


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